Produces a wallet, and pulls out some crumpled bank notes. The pilot gestures vaguely towards the whitewater. This is as close as I’m allowed to the building. Apart from the packing crates, there are no man-made structures to be seen. A large suitcase with wheels.Ĭaleb looks around. Jay goes to the side of the helicopter, pops open a hatch, and removes Caleb’s luggage. Jay holds open the door as Caleb exits the helicopter cabin.Ĭaleb looks around, his eyes adjusting to the bright sunshine outside. Meadow flowers whip in the rotor wash as the helicopter touches down in the vast meadow.īy the landing site is a collection of huge metal crates. Sunlit, like a jewel in the icy mountains.Ī whitewater river runs alongside it, leading to a waterfall.Ĭaleb looks down at the breathtaking view as the helicopter banks, turns and descends. The valley floor is a bright green meadow. The helicopter flies over the lip of the glacier, revealing a valley. The helicopter flies over a vast white glacier.Īs the helicopter glides past, the lens of the camera twitches. We’ve been flying over his estate for the past two hours. The President can’t get Mr Bateman on the phone, but you got the golden ticket. It was kind of like a lottery, for employees. So how does a programmer from Long Island get to be meeting the CEO? Stood on one of these mountain ridges.Īssume it was him, anyway. I only fly this shuttle between the airport and his residence. Means you and Mr Bateman speak the same language. I work on algorithms for the search engine. I was so psyched to be coming here, I was awake all night. You fell asleep almost as soon as we left the airport.Ĭaleb looks around. Outside the window is the mountain landscape. – to find himself in the front seat of a helicopter. Forest spreads across valley floors, which rise to snow peaks. Waterfalls drop down massive rock faces to inland lakes. Still in the audio bubble, which, despite the commotion around him, remains unburst.Ī spectacular mountain landscape. – the webcam point of view, watching Caleb react to the arrival of the text.Ī beat later, a stream of text messages start appearing:Ī few of the people behind Caleb in the office are reacting.Ī girl comes out from behind her desk, runs over to Caleb, and embraces him from behind, planting a kiss on his cheek. On the screen, a time-bar extends next to the word:Ī beat later, a reply text message appears.
We see facial-recognition software flickering over Caleb’s features, and reacting to shifts in his expression. – the cell phone point of view, seen from the tiny camera above the screen, as Caleb lifts the phone, and starts keying in a text. On which a message appears, in a small window, over the code. Imaged as vector boxes, which track Caleb’s face, and the faces of all the people behind him.
Head bobbing slightly to the music.Īs we watch from the monitor point of view, we can see the computer’s facial recognition system in operation. – extreme close-up of a pinhole webcam lens in Caleb’s monitor. – the hands of the young man doing the coding. Photographs of friends or family, or pets. Just over the heads of the young men and women who sit at desks, in front of a computer screen and keyboard.Įach workstation is personalised.
Putchar (a) putchar (b) putchar (c) putchar(‘!’*n’) Visual Effects Supervisor Andrew Whitehurst Produced by Andrew Macdonald and Allon ReichĮxecutive Producers Scott Rudin and Eli Bush Universal Pictures International and Film 4 present A DNA Films Production Ex Machina was released on 21 January 2015.